RonKat Spearman

NEWS
BELIEVER is live on all platforms - written, performed, produced by RonKat Spearman
https://distrokid.com/hyperfollow/ronkatspearman/believer - see review below

FUNK INSURANCE (Bootification) is live on all platforms
featuring The P Funk Horns arranged by Greg Boyer - see review below

KATTITUDE EP by RonKat now streaming on all platforms. Special Guests from Parliament Funkadelic George Clinton, Greg Boyer and Garrett "Starchild, Jr." Shider
and members of Katdelic

SHORT BIO
P Funk Allstar RonKat Spearman's talent spans multiple genres: funk, rock, pop and afrofuturism; he is a multi-instrumentalist and a prolific songwriter, a triple platinum, Grammy and BMI song writer award winning  artist who has has written for and toured with legends.

ABOUT KATDELIC
KATDELIC is a five piece"party-all-night" band with an infectious groove. Irresistible to anyone within ear range.The music is an electrifying hybrid of Funk, POP, Soul, EDM, Hip Hop, Jazz and Rock guaranteed to "Make 'Em Dance."
Katdelic was voted two time winner Best of the Bay 2017 & 2019!

BIO
At the age of seven, RonKat's father Lester took him to a Jazz club in Grand Rapids, Michigan and asked the legendary Grant Green to let his son play percussion for a song. Reluctant at first, Green agreed after RonKat stole the show, he was asked to return 'anytime'. That began the musical career of RonKat Spearman.

RonKat Spearman is a prolific songwriter and Multi-Platinum Artist, Producer, Composer, Grammy and BMI award recipient. Writing for:  JADE, (triple platinum hit Don't Walk Away)  Toni Braxton (won Grammy for multi platinum I Belong To You on Album of the Year)  along with El Debarge, George Clinton, Lenny Kravitz, Prince, Kanye West, Bootsy Collins, Shock G, Dj Quik, Rick James, Eryka Badu, Scarface, The Mary Jane Girls, Darius McCrary, Tichina Arnold, Klymax, Angelo Moore and many others.

One of RonKat’s first records, IMPULSE, a pioneering Electronic EP that was on his first independent label, is still sought after by many DJ's and producers. His multi-platinum song "Don't Walk Away" by JADE was covered by and made a hit by DIPLO in his song entitled "Be Right There".

RonKat is a multi-instrumentalist, playing and recording Guitar, Bass, Keyboards, Percussion, Drums, Harmonica, Lead and Backup Vocals.

In addition to his successful writing and producing career, RonKat spent his early years leading and touring with bands in Los Angeles. He is a featured musician and vocalist with members of the band The Soul Survivors, which backed up Rick James on the video Turn It Out.

In 1998 RonKat met and wrote with George Clinton and joined Parliament Funkadelic in 2000. He toured the world playing guitar, bass and vocals for P Funk for ten years. During that time he moved to San Francisco where he formed the side project, KATDELIC.


In 2010 RonKat left P Funk with George's blessing and has been touring nationally and recording with KATDELIC ever since. KATDELIC was voted two-time winner of Best of the Bay, in 2017 and 2019. 

RonKat's songs LOVE ME FOR TODAY and LOVE SAFE both charted in the top 20 on Billboard, Mediabase and I Heart Radio in 2023.

In 2024 RonKat joined forces with guitar legend Jesse Johnson (Morris Day and the Time, Prince, D'Angelo) playing bass for five shows in Northern California.

Also in June of 2024, RonKat released the song NO DRIVER with its official video, showing his musical range and sense of humor.

​RonKat had a featured role as himself in COCAINE ROACH an Independent film by Robert Parham. His song BETTER NOW was included in the sound track.
RonKat has also released his (2024) KATTITUDE EP,

Singles: (2025) FUNK INSURANCE(Bootification) and BELIEVER

P Funk Allstar RonKat still joins George Clinton and Parliament Funkadelic whenever they find themselves in the same city.

radioairplay.com independent new music

RonKat Spearman - Believer
Funk, Alternative
California, U.S.

Overall Impression: The songwriter and artist RonKat Spearman has produced and released his new song Believer. A high-energy and funky piece of R&B, Believer is modern music lover's dream come true. It draws inspiration from some of greats, while still sounding completely new and unique. Asking questions about our purpose, the lyrics comb through existential thoughts and ultimately reveal that what we are is change. How we use this revelation, and if it will be for good or for bad, is entirely up to us. This tune has just the right amount of catchiness to sound familiar yet fresh, and sticks around in your memory long after it has finished. The guitar work is elevated and inventive, and the vocals are wildly smooth. Overall, Believer asks big questions, has a bigger sound, and makes the biggest impact it possibly can. Listeners should keep their ears pointed in RonKat Spearman's direction.
Strongest Point(s): There is so much grooviness, color, and tiny hooks in Believer. You can drop the needle at any point and be fully engaged. The vocals grow and bloom outward, while the music pops and catches your ears. It is produced well, and is enjoyable from beginning to end.
Target Audience Appeal: Fans of modern R&B, Soul, and Funk will dig Believer by RonKat Spearman.
Artist target suggestions: Prince, George Clinton, Earth Wind & Fire, A Tribe Called Quest, Bruno Mars, Pharrell Williams, Rick James, Wiz Khalifa, Lupe Fiasco, Lenny Kravitz, Common, Janelle Monae, Thundercat, Sly & The Family Stone, James Brow

About the Reviewer:
Zachary Larson is a professional guitarist and multi-instrumentalist in New York City. He performs frequently on Broadway and has toured with several musicals, onboard cruise lines, and as a classical chamber musician. His recorded work spans across Classical, Musical Theater, and Pop music. He holds a Master’s degree in music and has been a part of the Radio Airplay team for three years.

RADIO AIRPLAY Review
Overall Impression
With its excellent performances and musically mature sensibilities, RonKat Spearman’s "Funk Insurance (Bootification)" is an irrefutably engaging tune that channels the spirit of modern R&B, jazzy funk, and soul with an undeniably infectious sense of groove. RonKat’s vocal performance is nothing short of magnetic—smooth, playful, and full of charisma. His voice manages to dance across the sultry musical backdrop effortlessly, capturing the essence of the genre in a way that feels both contemporary and timeless. There’s a definite sense of charisma and style in his delivery while his vocal tone is rich, expressive, and full of character, making it clear that he knows how to work the mic as much as he works the groove. The instrumental arrangement is a textbook example of how to blend soul, jazz, and funk into something fresh and contemporary whilst the playful lyrics provide just the right amount of cheeky fun. Whether you’re dancing, driving, or just vibing, this track has the perfect groove to get you in the mood to groove.

Strongest Point(s)
The arrangement of "Funk Insurance (Bootification)" is an exciting, free-flowing combination of soul, R&B, and jazz-funk energy, creating an immersive concoction of sound that invites movement. The track opens with a laid-back yet infectious groove, highlighted by a bouncy bass, expressive brass hooks, and jazzy funk-soaked guitar lines that immediately grab the listener’s attention. The bass doesn’t just hold the rhythm; it swings and syncopates, giving the track its deep, irresistible pulse. Coupled with the groove-rich drums, the rhythm section serves as the foundation, creating a rhythm that’s impossible to resist. The brass elements add a layer of spice and playfulness, further elevating the energy of the track while maintaining its sensuality. The soulful organ textures are another brilliant element and further lend to the undeniable warmth of the track. The guitar rhythms, which echo the syncopated patterns of classic funk, inject the track with a sense of urgency and forward motion. These guitar riffs are tight, funky, and rhythmically alive, wrapping around the melody like a playful conversation between the instruments. They also adopt a jazzy sense of harmonic color, adding an even greater sense of style to the music. Lyrically, “Funk Insurance (Bootification)” boasts a level of playfulness that is undeniably engaging. The lyrics lean into the playful side of romance and attraction, celebrating the irresistible allure of a partner in a way that's both lighthearted and fun. Of course, they are brought vividly to life by RonKat's charisma-drenched performance, and he helps infuse the words with an even greater level of swagger.
Target Audience Appeal
"Funk Insurance (Bootification)" is a groove-laden modern R&B-infused funk tune that's sure to strongly resonate with fans of the genre.
Artist target suggestions
The Heavy, Lenny Kravitz, Dirty Loops, Rock Candy Funky Party, Vintage Trouble, Jamiroquai, Tower Of Power, Ripe, Parcels, Cory Wong, Jungle, Parcels
About The Reviewer
Andre Avanessian is a freelance session guitarist, composer, and sound engineer based in the U.K. Having studied music production and composition at a degree level, he has taken his passion for all things audio-related to a level that has allowed him to become both a competent musician and performer. Being a self-confessed "Guitar Nerd" Andre has been continually studying the guitar as well as teaching it, helping students learn the instrument, develop their songwriting, and become proficient in home recording.

IGTV Interview with Style By Stevie - Dec. 20,2024
https://www.youtube.com/watch?v=GuraLTVehNM

VIDEO INTERVIEW ON STRONG ISLAND RADIO
https://www.youtube.com/live/XfeD_7flzC4?si=QnuB2i-pekfZIikB

https://apnews.com/press-release/ein-presswire-newsmatics/music-san-francisco-289543e852a376017b7d1f486bc544a2 PRESS RELEASE FOR KATTITUDE EP
RonKat Spearman Releases His Latest EP Kattitude September, Friday 27th.,2024
RonKat Spearman is a seasoned, award winning producer, performer and writer. He's also a true artist. Dedicated to his craft, his willingness to push the creative envelope has led to his latest musical offering, Kattitude, scheduled for release, September 27th., 2024. By combining a plethora of musical genres; Funk, Pop, Rock-n-Roll, New Wave, R-n-B, etc. Ronkat created the perfect musical storm with the EP.
Weaving a rich sonic tapestry Kattitude showcases Ronkat's mastery of multiple talents, he sings, plays numerous instruments on the EP as well as handling producer and songwriter credits. Truly inspired and innovative, RonKat refuses to be painted into a box or confined to any preconceived notions based on his earlier work.
Flexing his understanding and appreciation of different decades across each track the listener is transported through a wormhole of eras. The title track "Kattitude" opens things up with an extra thick vibe of funkiness and coolness. Wrapped in layers of heavy guitar, full of clever lyrics weaved into a self-explanatory, bop RonKat explains exactly what it takes to exude that certain Kattitude. Each track touches lightly on a familiar sound from the late 80s and 90s boosting it with the Futuristic feel of the 22nd. Century. "Hold The Good Times" stands out as the perfect get the party started cut while presenting like the lead song from an 80s soundtrack! Crisp and uplifting RonKat steers the ship away from the looseness heard in his earlier releases this year. Smoothly moving into the remaining songs on the EP, RonKat pushes the envelope to deliver heavy doses of the 90s into the present with Afrofuturistic Nu-Wave friendly jams. "Love Safe" another selection broke into Billboard’s Top 20 AC charts along with "Love Me For Today," with Greg Boyer on trombone (who has also played with Prince and P-Funk). "I Don't Care" is another fast tempo tales of love. The extreme opposite of a sappy, unrequited ballad, these tracks are the audio versions of Meet-Cute on caffeine. Rounding things out, "Ride" (with Garrett 'Starchild' Jr. Shider on vocals, he's also singing on "Kattitude" and is the lead singer/guitarist in P Funk ) let's RonKat show off his guitar skills while infusing a different energy into the EP. The only other musician appearing on Kattitude (on the Bonus track, "Transmission") is the iconic Funkmaster himself, George Clinton and a cameo by RonKat's daughter, Nya Spearman! Click this link to stream Kattitude. The EP is available on all platforms September 27th., 2024.
RonKat has had a stellar year of performing on the west coast and midwest with his band, Katdelic. He also appeared in the independent film, "Cocaine Roach". Directed by Robert Parham, the movie is generating significant buzz for its' bold storytelling and sly, social commentary. He performed his latest single, "Better Now" as an integral part of the Bay's rich, artist community; his role in the film authenticates the city's vibrant live music scene.
His first release of the summer from the EP was "No Driver". SkopeMag.com gave this review, "The track consists of a diverse range of styles, innovative effects, and distinctive sounds which might just drive the listeners into the unknown streets of San Francisco. The guitar is extremely seductive, distorted, groovy, and most importantly: danceable. Similar to Bernard Sumner and Michael Ronson, RonKat’s guitar playing is not only glamorous but also sophisticated."
About RonKat
Originally from Grand Rapids, MI. Ronkat's Dad took him to a local club and asked jazz giant Grant Green to let him play on just one song. A child prodigy, once the crowd heard Ronkat's musical genius his professional fate was sealed. He plays guitar, bass, keyboards, percussion, drums, harmonica, plus lead and background vocals. Ronkat is an extremely talented musician and songwriter. A multi-platinum selling, Grammy nominated and BMI Award winning artist. RonKat was voted Best of The Bay twice, in 2017 and 2019. He penned hits for iconic superstars, Jade, Toni Braxton, El Debarge and collaborated with Lenny Kravitz, Prince, Rick James, George Clinton, Bootsy Collins, Kanye West, Erykah Badu and many more. He's also been a touring member and collaborator of George Clinton's legendary Parliament-Funkadelic for over a decade.

https://www.wewriteaboutmusic.com/reviews/ronkat-spearman-no-driver-interview
RonKat Spearman tackles driverless cars on single, "No Driver" - Interview
RonKat Spearman, a multi-talented artist with a long list of accolades, delivers yet another masterclass in musical versatility with his latest single, "No Driver." Released in June 2024, the song, along with its quirky and satirical music video, takes a playful jab at the absurdity of Waymo self-driving cars in San Francisco. Known for his work with legends like Lenny Kravitz, George Clinton, and Prince, Spearman’s latest offering shows he still has his finger on the pulse of contemporary culture, with a sense of humor that’s as sharp as his musical skills.
The track opens with a heavier groove that immediately sets the tone for what’s to come. Spearman’s multi-instrumentalist prowess is on full display as he weaves together guitar, bass, keyboards, and percussion into a sound that is both fresh and timeless. His vocals, effortlessly smooth and engaging, guide the listener through a narrative that is as much about the future of technology as it is a reflection on the absurdities of modern life.
Lyrically, "No Driver" captures the essence of the bewildering experience of encountering a driverless car. Spearman’s clever wordplay and sharp commentary make the track as thought-provoking as it is entertaining. The chorus, catchy and memorable, lingers long after the song ends, much like the image of a driverless car cruising down a busy street.
In our recent interview, RonKat shared insights into the creation of "No Driver," explaining how the idea came to him during his first encounter with the cars in San Francisco. The music video, which features humorous scenes of Spearman interacting with Waymo cars, adds a visual layer to the song’s narrative, blending humor with a subtle critique of our reliance on technology.
When asked about his future plans, Spearman hinted at more new music and live performances. Playing with different bands on the West and East coast, his massive catalog from former bands and projects, plus everything that’s cooking with his solo project, is sure to be a delight to witness in a live setting.
"No Driver" is a testament to RonKat Spearman's enduring relevance in the music industry. It’s a track that not only entertains but also invites listeners to ponder the implications of the technology that’s increasingly becoming a part of our daily lives. With his characteristic blend of humor, insight, and musical mastery, Spearman proves once again why he’s a force to be reckoned with.
We urge everyone out there to take a moment to check out our conversation, but also to listen, enjoy the video, and of course to follow along for much more in the works!

https://skopemag.com/2024/08/01/ronkat-presents-no-driver
NO DRIVER REVIEW
Ronkat Spearman strikes once again with his latest single called: “No Driver”. The talented musician recently dropped the psychedelic and entertaining music video on June 7th, 2024. “No Driver” feels and brings the 80’s energy, yet it stays fresh and generates a unique soundscape of independent rock. Somewhere in between New Order, David Bowie, Prince, and Parliament Funkadelic, “No Driver” manages to stay original, wild, captivating, unique, and proves to create a ferocious planet of its own.

It is important to note that “No Driver” is not only a musical attraction but a lyrically interesting statement about the driverless cars in San Francisco. Inspired and influenced by the autonomous, robotic, and self-driving cars, “No Driver” is definitely one of a kind. “Look into your rear view, look what’s up ahead, the car without a driver, drive you through your bed”, is one of Ronkat’s most entrancing lines throughout the energetic musical composition. The track’s gripping and alluring story is brought to life through a mixture of simple but effective narration, scenic imagery, and prominent musical exhibition.

https://music.youtube.com/watch?v=gVdLETzVgZE

“No Driver” is written, composed, performed, and produced by Spearman himself. The track consists of a diverse range of styles, innovative effects, and distinctive sounds which might just drive the listeners into the unknown streets of Frisco. Spearman successfully and brilliantly fuses rock and 1980’s African American dance music. The drums quickly hit the gas on this track as they are continuous, incessant, and insanely hypnotizing. The guitar is extremely seductive, distorted, groovy, and most importantly: danceable. Similar to Bernard Sumner and Michael Ronson, Ronkat’s guitar playing is not only glamorous but also sophisticated. Towards the end of the track, the funky side of the guitar begins appearing and delivers a funkadelic and boogielicious sensation. The neat and dandy bass rides along nicely with the driverless vehicle. The four stringed gadget fills in the sound, ultimately cements the song, and reinforces muscle throughout the celebrating charged anthem.The vocals ultimately bring a face to the track’s pleasurable and entertaining sound. Ronkat’s unforgettable and distinctive voice delivers a set of significantly low notes. Like Ian Curtis and Sumner, Spearman possesses the technical ability as a vocalist to hit the low-key notes and deliver a high quality tone. Without a doubt, even Sumner could have definitely been featured on this superior track. Ronkat’s “No Driver” simply sounds like a late night poppin’ party at one of the wildest bars in town where everyone dances 80’s music until the sunrise hits.

Ronkat Spearman continues to sculpt out his differentiating and unique space in the independent rock scene. “No Driver” stands as a testament to his ability to intermingle musical success with a refreshing and exuberant touch.

Ronkat has consistently toured and shared the stage with artists like Parliament Funkadelic. Spearman has also written for Lenny Kravitz, JADE, Toni Braxton, El Debarge, George Clinton, Prince, Kanye West, Bootsy Collins, Shock G, Dj Quik, Rick James, Eryka Badu, Martika, Scarface, The Mary Jane Girls, Darius McCrary, Tichina Arnold, Klymax, Angelo Moore and many others. “No Driver” is out now and it guarantees to be an electrifying blend of dance pop, post disco, and independent rock for all music listeners out there.

https://www.instagram.com/ronkat_spearman_1
https://www.ronkatspearman.com/

PRESS RELEASE - July 2024
We are living in a world that is simultaneously tumultuous and fascinating. There's AI generated images and documents, Siri and Alexa there's even driverless cars! Emerging from this technological magic is the inspiration for RonKat Spearman's latest musical offering, "No Diver". A fun, funky, synth-tinged song that slyly points out the juxtaposition of autos with no drivers but full of passengers.

Ronkat is an extremely talented musician and songwriter. A multi-platinum selling, Grammy nominated and BMI Award winner. RonKat was voted Best of The Bay twice, in 2017 and 2019. He's penned hits for iconic superstars, Jade, Toni Braxton, Aaron Hall, El Debarge and collaborated with Lenny Kravitz, Prince, Rick James, George Clinton, Bootsy Collins, Kanye West, Erykah Badu and many more.

He's also been a touring member and collaborator of George Clinton's legendary Parliament-Funkadelic for over a decade and they still collaborate and hit the stage whenever they are in the same city. Ronkat's latest artistic evolution combines Pop, tinged with Disco, dusted with Nu-Wave to create a super, catchy single. Creeping up the charts, the video is organically growing among old and new fans.

Originally from Grand Rapids, MI. Ronkat discovered his love for the stage at an early age. His Dad took him to a local club and asked jazz giant, Grant Green to let him play on just one song and it was over! A child prodigy, once the crowd heard Ronkat's musical genius his fate was sealed. His latest metamorphosis has echoes of an Afro Futuristic version of Ziggy Stardust. He is able to play guitar, bass, keyboards, percussion, drums, harmonica, plus handle lead and background vocals. After his move to San Francisco RonKat was inspired to create his band, Katdelic and they have been touring together ever since.

While he is working on his latest EP Kattitude he is fitting in some club dates. Starting in California with the Boom Boom Room and then with special guest and P Funk All Star drummer, Gabe Gonzalez. The Stone House in CA., with Garrett "Starchild Jr.", P Funk guitarist and vocalist. Ronkat is also performing at The Dark Room in MO. His upcoming EP Kattitude is scheduled for release later this year.

For more information and publicity inquiries on Ronkat and "No Driver" contact Zenobia Simmons and visit RonkatSpearman.com.
https://skopemag.com/2024/08/01/ronkat-presents-no-driver
Ronkat Spearman strikes once again with his latest single called: “No Driver”. The talented musician recently dropped the psychedelic and entertaining music video on June 7th, 2024. “No Driver” feels and brings the 80’s energy, yet it stays fresh and generates a unique soundscape of independent rock. Somewhere in between New Order, David Bowie, Prince, and Parliament Funkadelic, “No Driver” manages to stay original, wild, captivating, unique, and proves to create a ferocious planet of its own.

It is important to note that “No Driver” is not only a musical attraction but a lyrically interesting statement about the driverless cars in San Francisco. Inspired and influenced by the autonomous, robotic, and self-driving cars, “No Driver” is definitely one of a kind. “Look into your rear view, look what’s up ahead, the car without a driver, drive you through your bed”, is one of Ronkat’s most entrancing lines throughout the energetic musical composition. The track’s gripping and alluring story is brought to life through a mixture of simple but effective narration, scenic imagery, and prominent musical exhibition.

https://music.youtube.com/watch?v=gVdLETzVgZE

“No Driver” is written, composed, performed, and produced by Spearman himself. The track consists of a diverse range of styles, innovative effects, and distinctive sounds which might just drive the listeners into the unknown streets of Frisco. Spearman successfully and brilliantly fuses rock and 1980’s African American dance music. The drums quickly hit the gas on this track as they are continuous, incessant, and insanely hypnotizing. The guitar is extremely seductive, distorted, groovy, and most importantly: danceable. Similar to Bernard Sumner and Michael Ronson, Ronkat’s guitar playing is not only glamorous but also sophisticated. Towards the end of the track, the funky side of the guitar begins appearing and delivers a funkadelic and boogielicious sensation. The neat and dandy bass rides along nicely with the driverless vehicle. The four stringed gadget fills in the sound, ultimately cements the song, and reinforces muscle throughout the celebrating charged anthem.The vocals ultimately bring a face to the track’s pleasurable and entertaining sound. Ronkat’s unforgettable and distinctive voice delivers a set of significantly low notes. Like Ian Curtis and Sumner, Spearman possesses the technical ability as a vocalist to hit the low-key notes and deliver a high quality tone. Without a doubt, even Sumner could have definitely been featured on this superior track. Ronkat’s “No Driver” simply sounds like a late night poppin’ party at one of the wildest bars in town where everyone dances 80’s music until the sunrise hits.

Ronkat Spearman continues to sculpt out his differentiating and unique space in the independent rock scene. “No Driver” stands as a testament to his ability to intermingle musical success with a refreshing and exuberant touch.

Ronkat has consistently toured and shared the stage with artists like Parliament Funkadelic. Spearman has also written for Lenny Kravitz, JADE, Toni Braxton, El Debarge, George Clinton, Prince, Kanye West, Bootsy Collins, Shock G, Dj Quik, Rick James, Eryka Badu, Martika, Scarface, The Mary Jane Girls, Darius McCrary, Tichina Arnold, Klymax, Angelo Moore and many others. “No Driver” is out now and it guarantees to be an electrifying blend of dance pop, post disco, and independent rock for all music listeners out there.

https://www.instagram.com/ronkat_spearman_1
https://www.ronkatspearman.com/

blog by Vanessa Bianca from Swaggertown Records - June 18, 2024
Ronkat Spearman, is a dynamic artist hailing from the vibrant city of San Francisco. His music is a rich tapestry woven with threads of punk, funk, rock, and pop, creating an eclectic sound that is uniquely his own. Drawing inspiration from legendary artists like Jimi Hendrix, George Clinton, Prince, and Kendrick Lamar, Ronkat has carved out a distinctive niche in the music industry.

RonKat's creative process is as diverse as his influences. He often begins his musical journey with the strum of a guitar or the beat of a drum machine, letting the music flow naturally from there. His songs are imbued with themes of love, dance, peace, and contemporary protest, resonating deeply with listeners and encouraging them to move and reflect.

One of his latest projects takes inspiration from an unusual source: driverless taxis in San Francisco. This innovative project intertwines a love story with the futuristic concept of autonomous vehicles, showcasing Ronkat’s ability to blend modern themes with heartfelt narratives. His collaborations with renowned artists like Lenny Kravitz, George Clinton, and Rick James have further enriched his musical journey, adding layers of depth and experience to his work.

Life itself is Ronkat’s muse. He finds inspiration in everyday events, art museums, plays, and the myriad sounds that make up the world around him. His engagement with fans on social media platforms is lively and interactive, often sharing video shorts and live sessions to stay connected with his audience. Authenticity is a cornerstone of his artistry; he steadfastly avoids following trends, preferring to chart his own course and remain true to his unique vision.

Balancing personal life with a bustling music career comes naturally to Ronkat, as the two are completely intertwined. Significant milestones in his career include meeting and hanging out with musical giants like Prince and George Clinton, and earning accolades such as a Grammy for his song "I Belong to You" by Toni Braxton. His twelve years touring with George Clinton & P-Funk, forming his own band Katdelic, and achieving chart success with songs like "Love Safe" and "Love Me For Today" are testaments to his enduring talent and passion.

Ronkat’s music often reflects his personal experiences, with his recent work inspired by the everyday marvels of driverless taxis. Looking ahead, he aspires to finish his funky rock sci-fi musical, tour the world, and venture into film scoring and directing. Through his music, Ronkat hopes to impart love, laughter, and good vibrations, encouraging listeners to spread joy and dance.

Ronkat Spearman is not just a musician; he is a storyteller, a visionary, and a true original in the world of music. His journey is a testament to the power of authenticity, creativity, and an unwavering commitment to one’s art.

https://www.indie-talk.com/post/indie-talk-podcast-spotlights-ronkat-spearman-grammy-recipient-artist-and-producer
Indie Talk Podcast Spotlights RonKat Spearman, Grammy-Recipient Artist and Producer
Austin, Texas - Indie Talk Podcast is excited to feature RonKat Spearman, a prolific songwriter, Grammy-recipient artist, and producer, on its upcoming episode. Available on 15 digital outlets, the podcast shines a light on emerging independent artists and offers listeners an exclusive behind-the-scenes look at their music. RonKat's latest single, "Love Safe," will be showcased during the episode.
With a musical career spanning decades, RonKat Spearman has collaborated with renowned artists such as Lenny Kravitz, Toni Braxton, Prince, and Kanye West. As a multi-instrumentalist, he plays guitar, bass, keyboards, percussion, drums, harmonica, and provides lead and backup vocals. RonKat's talent and versatility have contributed to his success as a songwriter, artist, and producer.
In addition to his collaborations, RonKat has led popular bands in Los Angeles and performed with Rick James as a featured musician and vocalist. He later joined Parliament Funkadelic, touring the world for ten years. RonKat's side project, KATDELIC, has also achieved acclaim, winning the Best of the Bay award twice.
Listeners can discover RonKat Spearman's music, including his latest single "Love Safe," on Indie Talk Podcast, available on 15 digital outlets. His captivating music videos can be found on his official YouTube channel, and for more information and access to all his content, visit RonKat's website at ronkatspearman.com.
Listen to the podcast:
https://indietalk.buzzsprout.com/1882063/13205781
"I love to write, whether it's solo or collaborating with some of the world's greatest recording artists," said RonKat when asked about his creative process.
His passion for performing at festivals and fairs was evident, stemming from his experiences with Parliament Funkadelic and Katdelic.
About Indie Talk Podcast: Indie Talk Podcast is dedicated to promoting emerging independent artists and their music. With engaging interviews and behind-the-scenes insights, the podcast connects artists with a broader audience. Available on 15 digital outlets, Indie Talk Podcast fosters a vibrant community of music lovers and passionate artists.

RonKat Spearman's LOVE ME FOR TODAY single is charting on Billboard Adult Contemporary #22 and MediaBase/Pollstar Adult Contemporary #19 - VIDEO Release MAY 01, 2023
Available on All Platforms:
https://hearnow.com/settings/nmalb03101334#nt_base_men
Mediabase - https://www2.mediabase.com/mbapp/Account/Login...
Billboard - https://www.billboard.com/charts/adult-contemporary

RonKat mini bio doc - https://youtu.be/swh_6ei5vFE

FEB 21 - 8:30AM RonKat interview discussing Black Music in the Bay for Black History Month - KPIX/CBS morning news 8:30 AM

Press Release for All You Need is LOVE Podcast with RonKat Spearman's You're Beautiful.
https://www.indie-talk.com/post/indie-talk-podcast-announces-all-you-need-is-love-part-i
BHW MUSIC GROUP 2023

Press Release for BEST SONGS OF 2022 INDIE-TALK RADIO
KATDELIC songs ROCKET and LOVE ME FOR TODAY
https://www.indie-talk.com/post/indie-talk-podcast-features-best-songs-of-2022
BHW MUSIC GROUP 2022

— Dennis Cook,JamBase
"Best damn Funkadelic music I’ve heard in ten years. Yes, I’m putting it that straight and clear, kids. As a lifelong funkonaut – my first P-Funk show was Funk On The Green in 1979 in Oakland (age 12) - Katdelic was like making out with an old flame I’d really, really, really missed. Every feature was just right – the clothes and hair, the tough musicianship, the alluring mix of wildness and expert control, the pheromones pouring off the stage and right back from the getting down crowd. It was almost enough to make a man slip on a diaper in tribute to the late Garry Shider and remind everyone around that you got a thing, I got a thing, everybody got a thing. And this ain’t no ghost dance! Sure, they nail the classic P-Funk cuts with aplomb but the original tunes hold their own against one of the great American songbooks. This is precisely where most funk falls apart for me – the tunes – and RonKat has the goods, as well as fine instincts for what old numbers to trot out and where to place them in the mix. A incendiary guest turn from Stanley Jordan, who’s current look was a natural fit for Katdelic, just amped things up to ri-dunk-u-lous. I’m now officially up for the downstroke ANY time RonKat and his crew wanna work the churn! -
— Dennis Cook,JamBase

Phillip Ranalli - Biss List
After The Fillmore stroll across the street for Part2: KATDELIC (Funk Dance Party ala P-Funk) + DJ Kevvy Kev at Boom Boom Room where Ronkat Spearman 's (from SF & StLouis) Katdelic Allstar JAM Boom Boom Room Presents a serious FunkFest/ FUNK IS what time IT is! W/ Kirk Peterson Victor Little Adam lipski Eric Shaw Tadd Scott Heather Solomon "the dancer", and all kinds of special guests on drums, guitars, keyboards, even a kalimba player! Blow BBR Away LATE into the night- THANK YOU!
_Phillip Ranalli - Biss List 2022

“It's a trip to think that I write these songs maybe in bathroom, at the airport, on a plane, in a restaurant , after an argument or on scenic road trip on a highway. It sometimes is exposing the deepest part of my soul.” RonKat Spearman

Loose Lane - The Haight Street Voice
“Relix Magazine, the second longest-running music publication in the United States, teamed up with ReverbNation to find the best new artists each month. Here are some of their recent selections. Katdelic - #Hate Got To Move”
Relix - Relix
“2016 Bay Guardian Best of the Bay KATDELIC”

Editor - The Bay Guardian
“Opening the night was Katdelic, the project of Ronkat Spearman (one of the many P-Funk alumni). They laid down thick slices of good dirty funk driven by two bass players that instantly warmed up the crowd. Honestly the bookend bass players threw me at first, but it added so much bottom end to the sound I couldn’t help but be converted. This band was terrific. And Ronkat, who looks like Kool Keith’s version of Black Elvis, was tearing it up on guitar and vocals with true P-Funk grace. If you want to go out to have a good time and shake a tail feather, you can’t lose with this band….they play oceans of deep funk. Check out their next show at the Boom Boom Room on New Years’ Day.”

Sonic SF - Sonic SF
“RonKat Spearman is “authorized to play the funk.” The Parliament Funkadelic Allstar is bringing his band, Katdelic, one of San Francisco’s hottest groups, to Moe’s Alley for an all-night dance party on Friday, July 24. The leftie who could strum the guitar like a right-handed player, RonKat showed an aptitude for music at an early age and left his hometown of Grand Rapids, Mich., for Los Angeles to realize his dream of making it in the music industry. The ultra talented, composer, producer, singer and multi-instrumentalist got his start writing hits for dozens of artists including, Jade, Toni Braxton and El Debarge, earning him Grammy nominations and a BMI Songwriter of the Year nod for the song, “Don’t Walk Away.” and vocalist.”

Sam Working - Santa Cruz Good Times
“We spoke with musician Ronkat Spearman about his future funk project Katdelic. Ronkat was a member of George Clinton and the P-Funk Allstars for 10 years and continues to carry the musical torch which burns bright. He leads a fusion of musicians on a quest to take you higher with their funktastic sounds. Interview Meikee Magnetic Tell us about your Funk beginnings, where did you grow up? My funk beginnings began at birth in Michigan jazz in the room next door to my baby crib rock n roll soul on the radio all day, funk and blues at my aunt Bertha”s house my head was swimming in music. My dad took me out to the clubs to play percussion with Jazz bands when I was six or seven years old, at first they would say take that kid home, he would tell them to just let me play one song. I’d do that and then when I’d get up to leave they would say, no don’t leave, stay where you are.”

Meikee Magnetic - Dark Beauty Magazine
“Best damn Funkadelic music I’ve heard in ten years. Yes, I’m putting it that straight and clear, kids. As a lifelong funkonaut – my first P-Funk show was Funk On The Green in 1979 in Oakland (age 12) - who lost faith in the George Clinton lead outfit about a decade ago, Katdelic was like making out with an old flame I’d really, really, really missed. Every feature was just right – the clothes and hair, the tough musicianship, the alluring mix of wildness and expert control, the pheromones pouring off the stage and right back from the getting down crowd. It was almost enough to make a man slip on a diaper in tribute to the late Garry Shider and remind everyone around that you got a thing, I got a thing, everybody got a thing. And this ain’t no ghost dance! Sure, they nail the classic P-Funk cuts with aplomb but the original tunes hold their own against one of the great American songbooks. This is precisely where most funk falls apart for me – the tunes – and RonKat has t”
Dennis Cook - JamBase

“RONKAT SPEARMAN If there was ever a cooler name than RonKat, I've never heard it. The panther head that rises up on Brian Fantana's cologne is probably RonKat. If Mitt Romney had changed his name to Mitt RonKat he would have won the election. But the only confirmed sighting thus far is RonKat Spearman, and since he made his name as a P Funk Allstar (starting in 2001), it all makes sense. RonKat started his own funk ban, Katdelic, to showcase his unique vocal and guitar style. His music is as influenced by Prince as by his mentor George Clinton, with a dub of old school soul and punk chic. - Steve Palopoli - Santa Cruz Weekly ”

Steve Aalopoli - Santa Cruz Weekly
“The Funklectic returns to thrust the sensibilities of millennial Neo-Pop into powerful unbounded territory. This saucy disk is a platter of the best blend of funk & rock I‘ve heard thus far. Katdelic brings a Pop sensibility to gut-bucket nasty grooves. It’s underground guerilla funk at it’s finest yet at it’s core could easily go right to the top of the Billboard chart. ”

Bustin Bob - TFS
“Darryl Van Johnson Just got D.O.T.M.S. in the mail. Here are my first impressions: ive been waiting for the title track ever since the Long Beach Funk Fest & its P-Funk at its best. Wailing guitars, poping horns, & funky lyrics have me swinging down. I love the smooth melody of Drive Away & its funk & roll with echos of Prince, Lenny Kravitz & Michael Jackson. Peace to you emotionally touches me c uz this is the first new song ive heard since Belita Woods passed & she sounds so good here. But my jam is We're Here. Love the bassline & the horns. It has that Parliament sound. im gonna enjoy this album for a long time. Oh Hi, Love Thyself & She's Fire has that Funkadelic sound I love so much. This album gets my Maggot Brain Award.”

Darryl Van Johnson - Darryl Van Johnson blog
“at the Boom Boom Room on Fillmore Street, where the first Miss Sugar Booty Pageant was under way. The nightclub's usual blues vibe gave way to funk as contestants "from Pacific Heights to the BBQs of Oakland" shook their moneymakers for a coed crowd of catcallers and a panel of celebrity judges, including the Dead Kennedys' Jello Biafra. Local dance company Cirque Noir performed atop the actual bar, while bartenders served up sugar booty cocktails. The seats were covered with star-shaped glitter so that everyone went home with a sparkling backside.”